Eric Price

Identity design for cultural and commercial clients, including Herman Miller, Prada, Tavares Strachan, and Tin Building

Graphic design and development services for Askov Finlayson, Ballroom Marfa, Barry Lopez Foundation for Art and Environment, CCS Bard, Club Night Club, Danspace Project, Double You, Goldstein Museum of Design, Conner Ives, Minneapolis College of Art and Design, Minnesota Broadcasters Association, Minnesota Museum of American Art, New York Comedy Festival, Other Means, Robert Rauschenberg Foundation, RO/LU, School of Visual Arts, University of Minnesota, Weisman Art Museum, WeShouldDoItAll, and others

Identity, print, book, type, motion, sound, and web design/​development for clients in art, culture, and architecture, including A.I.R. Gallery, Andy Warhol Foundation, Atelier Office, Ballroom Marfa, Black Reconstruction Collective, Buffalo AKG Art Museum, Commercial Type, Eaton Workshop, Fikra Graphic Design Biennial, Kathmandu Triennale, Massachusetts Institute of Technology, Julie Mehretu, Museum of Chinese in America, Nxthvn, Para Site, SculptureCenter, Wallach Art Gallery, and WORKac

Predecessor studio to Wkshps. Identity, print, book, type, motion, and web design/​development for clients in art, culture, and architecture, including Bard Graduate Center, the Bass, Carnegie Museum of Art, Commercial Type, Common Field, Front International, Jewish Museum, Hales Gallery, ICA Boston, Performa, SALT, Shanghai Project, and Sharjah Biennial

Graphic and interactive design/​front-end development for arts programming and institutional clients, including a redesigned walkerart.org with an editorial focus, a mobile-first reimagining of the Minneapolis Sculpture Garden web presence, digital signage and wayfinding, and a platform for online scholarly publications